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Grant and Tillie Go Walking, by Monica Kulling
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Grant Wood believed that to be a real artist, he had to live in Paris. But once he got there, he realized that to be a great painter he needed to return to the people and places — and even animals — that he knew and loved the best.
Inspired by the life of artist Grant Wood, this is the sensitively imagined story of the great American painter and a cow named Tillie. Skillfully mixing fact with fiction, Monica Kulling’s text explores the making of an artist, while Sydney Smith’s illustrations echo Grant Wood’s own techniques. The result is a gently wise picture book that will encourage young readers and artists to trust the love that is sometimes only found close to home.
Includes an author’s note that provides biographical information about Grant Wood and historical context for his European and American artistic influences.
- Sales Rank: #269810 in Books
- Published on: 2015-08-11
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .50" w x 10.40" l, .0 pounds
- Binding: Hardcover
- 32 pages
From School Library Journal
K-Gr 2—In a fictional tale inspired by Grant Wood, the painter of American Gothic, Tillie, a cow, longs for her companion when he goes to Paris to study under the masters. When Europe proves to be a disappointment, the artist returns home to paint the things he loves, to the delight of his cow. The simple text reads aloud easily, and the horizontal format captures the rolling hillsides of the Iowa countryside. The impressionistic speckles of Smith's illustrations come from his use of a toothbrush and combine well with the soft shapes of watercolor and ink. Although the bold stenciled outlines of his shapes vaguely recall Wood's style, their dreamlike tints and subtle texture is no substitute (nor are they intended to be) for the heroism of Wood's exaggerated curves, strong colors, and bird's-eye perspective. The simple story is written as if it were a true account of events. An author's note addresses the embellishments and made-up bits, but the tender message to draw inspiration from the things you love still holds true in this mixture of fact and fiction. VERDICT This appealing, if slightly sentimental, introduction to the artist and his work will be a useful resource for art teachers and the creatively inclined.—Erin Reilly-Sanders, University of Wisconsin-Madison, WI
Review
CCBC Best Books for Children and Teens, Spring 2016
"A heartfelt, visually pleasing, and informative read inspired by an artist’s love for his home." — Booklist
"This fanciful story represents the power of friendship and the role of the familiar in the creative process." — Kirkus Reviews
"Using watercolours, ink, and a toothbrush, illustrator Sydney Smith mimics Grant’s style, bringing Kulling’s story of friendship, home, and ambition to life with an understated softness." — National Post
"The tender message to draw inspiration from the things you love still holds true in this mixture of fact and fiction." — School Library Journal
"One of the best children's books written on the story of painting. Highly recommended." — CM Magazine
"I realized that all the really good ideas I’d ever had came to me while I was milking a cow. So I went back to Iowa." — Grant Wood
About the Author
Monica Kulling is the author of over 40 books for children, including the popular Great Idea series, stories of inventors. The third book in the series, In the Bag! Margaret Knight Wraps It Up, was nominated for the 2012 Governor General’s Award for illustration and chosen as the 2012 Simon Wiesenthal Honor Book. In addition, her work has been nominated for numerous Silver Birch Express and Golden Oak awards. Her recent picture books include Lumpito and the Painter from Spain, Mister Dash and the Cupcake Calamity and The Tweedes Go Electric. She lives in Toronto, Canada.
Sydney Smith was born in rural Nova Scotia, and has been drawing since an early age. Since graduating from NSCAD University, he has illustrated multiple children’s books, including the wordless picture book Sidewalk Flowers, and he has received awards for his illustrations, including the Lillian Shepherd Memorial Award for Excellence in Illustration. He now lives in Toronto and works in a shared studio space in Chinatown where he eats too many banh mi sandwiches and goes to the library or the Art Gallery of Ontario on his breaks.
Most helpful customer reviews
1 of 1 people found the following review helpful.
What a Cow!
By B. Miller
What a Cow!
Monica excels in the historical biography. This is particularly true when she uses the special relationship between artist and beloved pet as a metaphor to showcase how the power of friendship and love can influence the creative process. Two of my favorite examples of this include her award-winning “Lumpito and the Painter of Spain” and “When Emily Carr Met Woo.”
In this “gently wise picture book,” Grant Wood struggles to find his artistic voice. He longs to go to Paris, because that’s where everyone goes to become an artist. Once he arrives, he even dons the beret and grows a moustache, just like all the Parisian artists. But his paintings are awkward and do not sell. He cannot find that creative spark. Instead, he dreams of home, and taking long walks with his best friend, his cow Tillie.
While Tillie is a fictional creation, she serves as a perfect symbol used in similar fashion as Monica's previous books. Tillie exemplifies the process that an artist must go through to find his center: he learns to be true to himself by painting what makes his heart sing.
The illustrations by renowned Nova Scotia artist Syndey Smith are just beyond glorious.
0 of 0 people found the following review helpful.
and in this sweet picture book
By Anne Broyles
Artist Grant Wood felt bonded to the landscape of home, and in this sweet picture book, his cow, Tillie, represents all that makes him feel happy and safe. Wood travels to Paris to live the life of a "real artist," but finds he misses Tillie and the spiritual landscape that feeds him. His return to rural Iowa unleashed his artistic gifts in a way that Paris hadn't.
In an author's note, Kulling makes clear what parts of the story are factual, which not, but the story hung together for me even if Tillie's role in Wood's transformation may not have happened exactly that way. Wood did say, "I realized that all the really good ideas I’d ever had came to me while I was milking a cow. So I went back to Iowa."
Sydney Smith's illustrations fit perfectly, and make Iowa as appealing as Wood found it.
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